(Replying to PARENT post)
Then, every copyright owner realized they want a slice of the streaming cake - (HBO, Disney+, all the cable networks...) and started making their content exclusive on their platforms. Now, instead of a single Netflix (or anyone else, really) subscription I would have to pay for a dozen, that I would rarely use for more than one series/film. Or I can't even get it at all, because it's not available in my country. Or only available with subtitles in a language I don't understand. Or I can't watch it on the hardware I want to.
The music industry got their shit together and even the most copyright-paranoid artists are on Spotify, or on Bandcamp (which is subscription-free). When the film industry does the same I'll gladly start paying them money again.
(Replying to PARENT post)
Additionally, the loss is not one to one. Each pirated video does not equate to a lost sale. The fact that people imply that is ludicrous.
Man, I haven't said that stuff in like 20 years. Takes me back to naptser day. Now someone ask me if I would download a car!
(Replying to PARENT post)
For the legal part, stealing is for physical objects, eg. the victim doesn't have disposal of this stolen good anymore. This is not true for intellectual Β«propertyΒ» since it's a copy. This is why copyright & copyright infringement has been created, whose original purpose was to protect authors from publisher and protect publishers that made advances to authors from other publishers.
For the moral part, you have no clear answer, circulation of free copies obviously reduces revenues of authors, but also it allows access of content to people that wouldn't have paid for it anyways, case where the loss of revenue is shaky.
To extend further, it's related to consumer frustration, while it's no question that being frustrated if you don't own a Ferrai is frivolous, if you can't afford it, you have to steal it from someone, the frustration occurred for copyright content is solely based on publisher/distributor strategy on maximizing revenue. The thing is, total revenue has a, albeit unknown, maximum theoretical possible, hence after a trigger frustration left is purely and solely a strategy to protect revenue. In the end, you get frustrated people just to have copyright holders a better peace of mind and revenue, and nothing else, so there's a moral balance to keep that you can't reduce to a black and white situation.
(Replying to PARENT post)
Copyright law with its duration of 95 years after the authors death is practically universally seen as the result of money being transfer from large companies into the control of politicians that voted in favor of the law. Normally when laws get written as the result of money changing hand we call it corruption, but as the supreme court have show, that is not always so.
Some people have tried to fix the problem from within, but the US political system makes third-party initiatives like that rather hard. Internationally, the result of the corrupt process spread through international trade agreements where nations has to either implement the same laws or risk getting trade sanctions from the US, and thus internationally nations has accepted the same corrupt law in exchange for getting through trade deals.
There is no moral ground for following current copyright law except blind following. Instead what we get is individual moral decisions where for example a person might feel it being acceptable to view 95 minus 1 year after the authors death old video on youtube, but find it wrong to view a recently released cinematic movie. Each person uniquely define when, where and how they feel copyrights exclusive monopoly is morally defensible and when it is not. The result is that you get about as many different moral view on the issue as there is people.
(Replying to PARENT post)
Therefore downloading is not illegal here (sharing is, which kind of puts torrents into a strange place).
The world is a bit crazy, isn't it.
(Replying to PARENT post)
Spotify doesn't have even half of my collection of Johnny Horton (which I torrented as well).
Also, I'm afraid of censorship. Some of the early 20th century county singers we throwing n-words left right and center and you won't find them on Spotify. Same for Apple Music. With Apple Music it even worse. Music disappears from the library _suddenly_. Just because same shady firm has it's license expired in Australia. Internet is full of stories of people who were unable to re-download movies or music form iTunes because the right owner has deleted it from the store. No, no money back.
So the only place where I pay for music is Bandcamp, which lets you download the stuff you paid for, right here, right now in variety of formats including lossless.
(Replying to PARENT post)
Sometimes you can compromise with one side if the other is really good. Spotify is a good example, where it really is more convenient to pay $10 for every song you could ever think of.
On the other hand, thereβs no similar buffet-style movie service that has more than 10% of the movies I want to watch.
Itβs hard for someone to justify paying $60/month on the four streaming services (since the market is so fragmented) and still not able to watch Iron Man 2 (though 1 and 3 are there)
(Replying to PARENT post)
But for me the answer is fairly obvious: availability. If video content was as convenient to consume as music, then pirating wouldn't be making a comeback. You can subscribe to all major streaming services and it's likely you won't find a given niche tv series or cult movie, unlike with music that with a single spotify sub you can listen to basically any formally published album (Ok, I know it's not strictly true, but it's closer to this state than with video)
(Replying to PARENT post)
(Replying to PARENT post)
You could called it "unlicensed copying" if you want, that's legally sound.
(Replying to PARENT post)
If I take your car, you don't have a car anymore.
If I make a copy of your movie, you still have that movie.
Arguably, you're being deprived of the money from the sale of the movie, but there are already other terms that can be used (piracy, copyright infringement).
(Replying to PARENT post)
Edit: and for the moral part, most Hollywood people preach for communism. So let them show the way.
(Replying to PARENT post)
It also isn't treated as stealing by (most countries'?) legal frameworks. It's copyright infringement - and not even commercial infringement (where you are making money by infringing). Non-commercial copyright infringement isn't even criminal - it's a civil matter.
(Replying to PARENT post)
(Replying to PARENT post)
Hope that helps
(Replying to PARENT post)
I don't live in the United States and if I want to watch say Westworld, even though it's airing on the national broadcaster for free, it only does so in French, which I don't understand. There's nowhere I can legally watch the English version so my only option is piracy.
In other cases it's because the market is fragmented. Were I still living in the US, I'd happily pay $20/mo for a Netflix subscription (and do) but I wouldn't pay $10/m for each of Amazon, Hulu, Netflix, Disney Plus, HBO for American stuff plus another $10/mo for each anime streaming service that has an exclusive.
(Replying to PARENT post)
(Replying to PARENT post)
However, you could also think of it like the digital equivalent of sharing. If someone purchases a movie or TV series on physical disks, they could loan it to you without breaking the law. In fact, they could even make a copy of the disk and not break the law. The only way to break the law this way is by having multiple copies in use at the same time. This is just digital sharing without checks in place to make sure multiple copies of the content aren't used simultaneously.
That being said, who is really harmed when I give someone a copy for free? I'm not stealing from the content creator (I paid, after all), and I'm not selling it, and there's no guarantee that the person I gave it to would have purchased it. If the creator hasn't lost anything and I'm not taking credit for it, nobody was harmed. In my eyes, this makes piracy acceptable as long as I don't sell it.
If we didn't have such strong copyright protections, content creators would be forced to compete with piracy by offering convenience, but instead they sue. Netflix has proven to reduce piracy because they offer convenience, but that only works for content they can provide.
(Replying to PARENT post)
Edit: Apparently this question has upset a good number of people. It was a genuine inquiry. It would have been nice to see your thoughts in written form instead of the downvotes.
To those that did answer--thanks! Really incredible how complicated the licensing arrangements are across the world.