(Replying to PARENT post)
The TA in the course would often talk about the concept of "pitch memory", both absolute and relative. In other words, perfect pitch isn't a binary concept of you either have it or you don't, but it's your ability to remember and reproduce absolute pitches from memory. What we think of as "perfect pitch" is the extreme version of this, where your pitch memory is basically long-term and you can sing a middle-C on command. But many people have decent short-term pitch memory. One girl in my ear training session (a pretty accomplished cellist) could remember absolute pitches for the whole 1.5 hour session; if we came back to a note, she could get it, but she was usually lost in the beginning of the session when we came in cold. I (9 years of violin training, starting at age 7) had a pitch memory of about 5-10 minutes - while we were working on a specific interval, I could remember and reproduce the base note without being prompted by the piano, but once we moved on to another interval I'd lose it. My wife (no specific music training) goes off-key after about 20 seconds.
It wouldn't surprise me that training this ability when you're young leads to much longer-term memory than training it as an adult, the same way that training gymnastics when young leads to the ability to do a back handspring from muscle memory, or training a foreign language gives you a much better ability to speak it without an accent.
(Replying to PARENT post)
For synthetic tones, I will be off +/- 3 semitones because I will be using an aural memory of the cello a string as a reference, rather than recognizing the frequency like the perfect pitch folks do.
Never occurred to me to practice perfect pitch because, as you said, it is not that useful.
(Replying to PARENT post)
(Replying to PARENT post)
Can you do the level harmony recognition like in the video below, or it's more the individual notes when played on it's own?
(Replying to PARENT post)
But what I'm actually doing is remembering the pitch with the help of the timbre of the guitar string (or harp string, for my wife's harp - I hear if a string is "off" even if it's the first single note I hear in the morning). I believe I would quickly be bewildered if I heard pure sine tones. And that's it. There's nothing more which is even close to what people with absolute pitch can do. I haven't run into that many of them, but it's like they see all the music in color, it's a different world (and they are often constantly bothered by out-of-tune sounds from life). Hit some random notes in parallel and they can tell you the notes instantly. And so on and so forth.
The other thing is what happens if they lose the perfect pitch.. which does happen, with age, for many, or at least it de-tunes a bit (drops a semitone, for example). Then, when it's gone, they don't even have relative pitch to rely on. Rick Beato interviewed a couple of people this happened to. I don't want to be there. My little ability to tune without a tuner is enough for me, and what it is is trained pitch memory - not absolute pitch. And it's relatively common, unlike absolute pitch.
(Replying to PARENT post)
Did you start with a complete inability to identify notes, and now are able to identity them immediately (i.e like acquiring a new language?).
(Replying to PARENT post)
(I was told I was a musical savant, and once I was told that, I was scared away from music... my Violin teacher was known to be owb of the best, SO i dont know what "perfect pitch" is, as I attribute it to 'bad actors'
(Replying to PARENT post)
I had no semblance of perfect pitch until I decided to practice it at age 24. Before that the only chance I had to guess a note was to put in in relation to my own voice.
Even though I don't practice this anymore (it isn't very useful), I still often just instinctively know what note I hear.